A remake of a scene from the 1922 film, “Nosferatu”. This film takes classic elements from the original while integrating experimentation with light, shadows, and the power of duct tape and cardboard. With multiple unconventional methods of costuming, filming, and lighting, the filmmakers push theirs and especially their subjects limits.
TITLE: Nosferatu
YOUR ROLE: Director, Cinematographer
TYPE: Narrative
CAMERA: Canon Mark IV
SOFTWARE: Adobe Premiere Pro
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 3’45”
CLASS: FMX CINEMATOGRAPHY
PROFESSOR: Warren Cockerham
SEMESTER / TERM: 20121 Summer Intersession
INSTITUTION: University of Tampa
TITLE: Lighting Module
YOUR ROLE: Producer, Director, Cinematographer, Editor
MEDIA: Video Art
SOFTWARE: Premiere
CAMERA: Canon Mark IV
SPECIFICATIONS: 1920×1080
DURATION: 1’00”
CLASS: FMX NARRATIVE PRODUCTION
PROFESSOR: Taylor Curry
SEMESTER / TERM: Spring 21
INSTITUTION: University of Tampa
DESCRIPTION: To artists sit down to collaborate in a less professional setting, hoping for authentic interaction and therefore music.
TITLE: Disassociate
YOUR ROLE: Director, Cinematographer, Editor
MEDIA: Video Art
SOFTWARE: Premiere
CAMERA: IPhone 11
SPECIFICATIONS: 1920×1080
DURATION: 1’10”
CLASS: FMX NARRATIVE PRODUCTION
PROFESSOR: Taylor Curry
SEMESTER / TERM: Spring 21
INSTITUTION: University of Tampa
DESCRIPTION: Experimenting with unique camera angles and lighting in an effort to tell the story of a man who is so accustomed to his routine, it all begins to blend together.
YOUR ROLE: Director, Cinematographer, Editor
MEDIA: Short Film
SOFTWARE: Premiere
CAMERA: IPhone 11
SPECIFICATIONS: 1920×1080
DURATION: 2:00
CLASS: FMX CINEMATOGRAPHY
PROFESSOR: Warren Cockerham
SEMESTER / TERM: Summer Intersession 21
INSTITUTION: University of Tampa
DESCRIPTION: Experimenting with continuity editing and cross cutting to depict a man absolutely determined to conquer his fear of mirrors and parking garages while his roommate pieces it together too late.