YOUR ROLE: Writer, Producer, Director, Editor/Colorist, Sound Foley Artist, Unreal Engine Sequencer
TYPE: Virtual Production Narrative
CAMERA: Blackmagic Pocket Cinema 6K
SOFTWARE: DaVinci Resolve Studio
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 4’33” (0:12-1:12)
CLASS: FMX 410 – Special Topics: Digital and New Media & FMX 324 – Cinematography
PROFESSOR: Gregg Perkins & Warren Cockerham
SEMESTER / TERM: 2022 Spring Semester
INSTITUTION: The University of Tampa
DESCRIPTION: This film was a project that I wrote and put together for our Cinematography and Virtual Production class after the University of Tampa had finally been gifted the LED Volume from VŪ Studios. As one of the chosen students to head this project, this was a really fun and challenging experience for me that allowed me to learn all sorts of things on both the virtual and physical sides of production.
TITLE: THE ORACLE
YOUR ROLE: VFX Supervisor, VFX/Sound Editor
TYPE: Virtual Production Narrative
CAMERA: Blackmagic Pocket Cinema 6K
SOFTWARE: Adobe Premiere, Adobe After Effects
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 4’44” (3:00-4:00)
CLASS: FMX 410 – Special Topics: Digital and New Media
PROFESSOR: Gregg Perkins
SEMESTER / TERM: 2022 Spring Semester
INSTITUTION: The University of Tampa
DESCRIPTION: While in the first Virtual Production class that had the volume on hand, two colleagues and myself took upon this production not only as a credit for the course but to submit it to the Campus Movie Fest Film Festival. It was a huge learning experience and the film won three awards: Best Production Design, Best SFX/VFX, & the CMF Jury Award.
YOUR ROLE: Director of Photography, VFX Supervisor/, Editor/VFX Artist
TYPE: Virtual Scene Recreation
CAMERA: Blackmagic Pocket Cinema 6K
SOFTWARE: Adobe Premiere, Adobe After Effects
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 2’15” (0:51-1:35)
CLASS: FMX 410 – FMX 324 – Cinematography
PROFESSOR: Warren Cockerham
SEMESTER / TERM: 2022 Spring Semester
INSTITUTION: The University of Tampa
DESCRIPTION: This project was made with my group in cinematography after we decided to be a bit ambitious with our film recreation and take on one that we all really enjoyed: Blade Runner 2049. This cut still has some rough visual effects that I’d love to go back and perfect when I have time, but I still enjoy the way it turned out.