DISPLAY TIME: 5:08 -> 5:49
TITLE: Orange (Dir. Madi Harris)
YOUR ROLE: 1st Assistant Camera, Focus Puller
TYPE: Narrative
CAMERA: Blackmagic 6K
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 14’21”
CLASS: FMX 460 Senior Seminar
PROFESSOR: Dana Plays
SEMESTER / TERM: Spring 2023
INSTITUTION: University of Tampa
DESCRIPTION: An unlikely meeting leads two girls on a road trip to discover that they may have more in common than they might think. For this film I was the first assistant camera where I helped build up different camera rigs for the Director of Photography, I also worked to change lenses in a timely fashion, and I was pulling focus for the majority of the film.

DISPLAY TIME: 4:46 -> 5:13
TITLE: Out of Luck (Dir. Penelope Vaughn)
YOUR ROLE: 1st Assistant Camera, Focus Puller
TYPE: Narrative
CAMERA: Blackmagic 6K
SPECIFICATIONS: 1920x1080p, H.264
DURATION: 14’38”
CLASS: FMX 460 Senior Seminar
PROFESSOR: Dana Plays
SEMESTER / TERM: Spring 2023
INSTITUTION: University of Tampa
DESCRIPTION: Calvin Penchman finally gets a taste of what life would be like if he had good luck, it;s a shame that right after that he gets mistakenly killed. He fights for his body to be reincarnated so he can truly experience the life he was meant to live. For this film, I was the first assistant camera where I worked on positioning the camera, changing lenses, and pulling focus. This was my first time ever pulling focus and my personal favorite shot from this film is the dolly zoom.

DISPLAY TIME: 1:39 -> 2:42
TITLE: World Spin
YOUR ROLE: Director of Photography, Editor
TYPE: Music Video
CAMERA: Blackmagic Pocket 4K
SOFTWARE: Adobe Premiere Pro
SPECIFICATIONS: 3840x2160p, H.264, 24fps
DURATION: 3’31”
CLASS: FMX 331 The Creative Triangle
PROFESSOR: Nora Long
SEMESTER / TERM: Fall 2022
INSTITUTION: University of Tampa
DESCRIPTION: Musicians Bryan and Michael break down on the side of a road when unlikely help comes around the corner and seems too good to be true. These two boys have to fight their way out of their sticky situation just to get back to the place they started. As the Director of Photography, I got to plan out all of the shots in a shot list and use a DJI RS 2 gimbal to get stable moving shots.